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    October 10, 2008

    Sorry, your search for 'Author: LE CLEZIO (Keywords)' did not find any records.

    Leclezio This says more about the current state of public libraries and publishing than a hundred DCMS reviews. Jean-Marie Gustave Le Clézio won the Nobel prize for literature this week. He has written at least a book a year since 1964. How many of the public libraries I use stock his works, either in French or in translation?

    Brighton & Hove: 0 titles
    East Sussex: 2 books, L'Africain and Revolutions, both in French and La ronde et autres faits divers on cassette, read in French by Bernard Giraudeau. Two out of three of these are kept locked away in a store, so have to be ordered.
    Wandsworth: Coeur brûlé et autres romances, Le chercheur d'or and La Quarantaine, all in French. Wandsworth share a catalogue with a number of other London authorities, from which I could see that some public libraries have bought works by Le Clézio translated into Albanian and Turkish, but very few have bothered to buy translations into English.

    September 06, 2008

    Education for Leisure

    The AQA, quoted in this morning's Guardian, appear to have backed down form their instruction to schools to destroy copies of an anthology containing Carol Ann Duffy's Education for Leisure. I went to check and the AQA's advice has been amended to read as follows:

    'As candidates are half way through their GCSE course, ‘Education For Leisure’ remains a key poem for this cohort as it would be unfair to remove it at this point. However, teachers are advised that the poem will not be a named poem in summer 09 examinations. This means that any centres who are concerned about the subject matter of the poem need not teach it. Centres will receive clean copies of the anthology for candidates to use in the examination. This anthology will contain ‘Education for Leisure’ without the accompanying illustration.'

    What, I wonder, was the 'accompanying illustration'?

    September 05, 2008

    Press coverage of the order to destroy Carol Ann Duffy's Education for Leisure

    There's press coverage of the AQA's demand that schools destroy copies of an anthology containing Carol Ann Duffy's poem Education for Leisure:
    Mark Lawson comments in the Guardian: a lesson in verse; also in the Guardian, Top exam board asks schools to destroy book containing knife poem
    BBC News: GCSE poem dropped over knife fear and on the iPM blog, AQA axe knife poem

    I look forward to a statement from CILIP.

    September 04, 2008

    'Knife poem'

    An examination board has instructed schools 'to destroy the clean copies of the anthologies' that contain Carol Ann Duffy's poem Education for Leisure. I hope teachers and school librarians will pay no attention to the board, the AQA, and that every child of spirit will seek out the poem. Here it is:

    Education for Leisure

    Today I am going to kill something. Anything.

    I have had enough of being ignored and today

    I am going to play God. It is an ordinary day,

    a sort of grey with boredom stirring in the streets

    I squash a fly against the window with my thumb.

    We did that at school. Shakespeare. It was in

    another language and now the fly is in another language.

    I breathe out talent on the glass to write my name.

    I am a genius. I could be anything at all, with half

    the chance. But today I am going to change the world.

    Something's world. The cat avoids me. The cat

    knows I am a genius, and has hidden itself.

    I pour the goldfish down the bog. I pull the chain.

    I see that it is good. The budgie is panicking.

    Once a fortnight, I walk the two miles into town

    For signing on. They don't appreciate my autograph.

    There is nothing left to kill. I dial the radio

    and tell the man he's talking to a superstar.

    He cuts me off. I get our bread-knife and go out.

    The pavements glitter suddenly. I touch your arm.

    Carol Ann Duffy

    The AQA's instruction, in case you think I made this up, is here:
 http://www.aqa.org.uk/qual/pdf/AQA-3702-3712-W-REMOVED-POEM-08.PDF


    August 17, 2008

    Nigel Jones on Patrick Hamilton

    Patrick Hamilton's growing reputation over the past twenty to thirty years, said Nigel Jones, may be because we have moved closer to his inner world. I heard Nigel at an event at Brighton Waterstones, where he discussed the new edition of his life of Hamilton, Through a Glass Darkly, which I heartily recommend.

    Nigel's major source, Hamilton's papers, then in the custody of the author's sister-in-law, give him a more detailed knowledge of Hamilton than anyone, and he is fascinating to hear. He defined Hamilton as a Brighton writer, one who flourished at a particular period, that of the end of empire, and one of the first to understand and describe fascism. His bizarre childhood, under the influence of his drunken, pretentious boor of a father, his desperate love-life, in pursuit of girls like Lily Connolly and Geraldine Fitzgerald, his alcoholism and sado-masochism, all contributed to his art, both the plays, successful in his lifetime, and the novels, less well received by his contemporaries, but now growing in stature.

    Nigel mentioned Joe Wright's project to film Hangover Square, and he and an audience member had both seen the recent stage production at the Finborough in Earl's Court, which may go to the West End.

    The papers are now in the Harry Ransom Center at the University of Austin, Texas. where one of the audience had gone to consult them, and reported that Hamilton's shorthand was extremely difficult to decipher.

    Jones, Nigel
    Through a Glass Darkly: the Life of Patrick Hamilton
    London: Black Spring, 2008
    978-0-948238390

    July 23, 2008

    Instant Dadaist poetry

    I am indebted to my colleague Margaret Stevens for this trick, which she demonstrated with text I wrote on an interactive white-board during a professional development event we held yesterday. It helps to have handwriting as bad as mine. It's hereditary; my father was a dcotor.

    Step 1: Write some text on an interactive whiteboard in your worst handwriting

    Step 2: Select all the text and use the recognition tool.

    The result:

    Conclusions 5/- point
    What ties I'm trading
    West-east deified
    Training hand or level
    Send GDR bullet ballets
    Leaflets ashy; compare zones
    No merger: site desk in curette
    Eat procedures shades
    Recovering bedshare
    Synovitis die else we attain marketing ire
    Wrote site and team

    July 11, 2008

    Through a glass darkly

    By the low-tech method of visiting the London Review Bookshop and browsing, I see that Nigel Jones's life of Patrick Hamilton, Through a Glass Darkly has been republished by Black Spring [not Swan as I erroneously wrote. Thanks to Nigel Jones for  pointing out the error]

    June 27, 2008

    Carnegie and Greenaway awards announced

    The Carnegie Medal this year goes to Philip Reeve's Here Lies Arthur while the Greenaway has been won by Little Mouse’s Big Book of Fears by Emily Gravett

    On the Guardian's book blog, Olivia Laing writes about past winners, including B B's Little Grey Men, which I read aged 7 or 8, and Lucy Boston's Green Knowe books.

    June 25, 2008

    Review: Our Longest Days: A People's History of the Second World War

    More than sixty years later, it is still 'the war'. Its popular, anti-fascist character distinguishes the Second World War from, on the one hand, the imperialist hecatomb of 1914-18, and, on the other, from the colonial and neo-colonial adventures we have been dragged into since 1945. I was born ten years after VE Day, part of a generation for whom the war, though outside our direct experience, was, through our parents and teachers, an important part of our formation. The playground question, 'what did you Dad do in the war then?' was for us an important conversational ice-breaker and an excuse for tall tales and one-upmanship. In my case, the truthful answer I would give, that he had been Medical Officer with the rank of Bimbashi, literally leader of a thousand, in the Sudan Camel Corps, was not always believed by my interrogators at the Fawcett Infants School in Trumpington. But even in the minds of generations for whom the subject of the question would be not a father, but a grandfather or even great-grandfather, it remains 'the war'.

    The late Sandra Koa-Wing's collection of extracts from wartime Mass Observation diaries stresses this poplar character. The diarists are two-thirds civilians. I believe King's Regulations forbade servicemen from keeping diaries, though this did not stop five of them who served in the forces at home from recording some details of service life. Of the others, one is a conscientious objector, while others work as land girls or volunteer for the Home Guard. From fifteen diarists, Sandra has taken entries which show the impact of great events, but also the mundane. There is no better way to understand the progress of the war than through the accounts of how Dunkirk, the Blitz, the Soviet Union's entry into the war, the later entry of the Americans, the battle for Stalingrad, the struggle for a Second Front, the D-Day landings and the V1 and V2 rocket attacks affected people. One can also trace in the entries the development of the determination that post-war Britain would be different, as the foundation of the sixty year-old National Health Service exemplified

    The strength of this book is the way in which these great events and the domestic detail of everyday life interact. Food is a constant preoccupation, whether for Jenny Green who tries to convince a well-meaning fellow worker that a pork pie sent to the British Expeditionary Force in France would be unlikely to survive the trip and still be safe to eat, or for Nella Last who sends her husband to do battle with a butcher who claims he has no meat, to return victorious with a leg of lamb. A chemist tells a diarist that the demand for 'tonics' has fallen sharply. Historians of Mass Observation will enjoy the episode when a star-struck Muriel Green goes to London to visit Tom Harrisson, the anthropologist co-founder of the organisation.

    How much background knowledge can the editor expect from the reader? Some explanations, for example that of duodecimal, currency, pounds, shillings and pence may be useful for readers not yet born and of an age to spend money in 1971, but not for those like me who can remember being given 6d, sixpence, 2.5p pocket money per week, supplemented occasionally by 2/6, half a crown, or 12.5p from visiting uncles. Taken chronologically by year, each year's entries are prefaced by a helpful summary of the course of the war in that year. The first entries are from 3 September 1939, the day war was declared, and the book ends six years later on 3 September 1945, a month after VJ Day. I might take slight issue with the footnotes on the situation in Greece on 1944-45, which misinterpret the role of British forces in the beginnings of that country's civil war, attributing to them a more impartial role than they actually played.

    The editor of this collection of material from Mass Observation diarists, Sandra Koa-Wing, died very young in 2007. Sandra worked in the University of Sussex Library's renowned Special Collections and there is a fund in her memory. Her blog, A Glimpse from the Attic, survives her,

    Koa-Wing, Sandra
    Our Longest Days: A People's History of the Second World War
    London: Profile, 2008

    A footnote: as this review was gestating, I saw Nöel Coward's In Which We Serve; there could be no greater contrast than between the realistic picture of war-time life in this book and Coward's sentimental myth-making, his rough but loyal other-ranks. decent officers and cheery civilians. I also had news of the death of Angus Calder, whose work with the Mass Observation archives did much to bring them back to attention. There's a tribute by Dorothy Sheridan on the Mass Observation website: http://www.massobs.org.uk/angus.html

    June 12, 2008

    Patience Gray in Petit Propos Culinaires

    In 2005 I recorded the death of Patience Gray, author of Plats du Jour and Honey from a Weed. Adam Federman drew my attention to his article in Petit Propos Culinaires, a reprint of which may be seen on his site, The Whetting Stone.

    October 2008

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